Author: ancientegyptblog7

“Rameses II Adoring the Sphinx at Giza”

Post author By ancientegyptblog7
Post date January 7, 2023

This limestone 𓇋𓈖𓈙𓌉 relief is called “Rameses II adoring the Sphinx at Giza” and it is such a beautiful 𓄤 piece! Let’s take a closer look!

By the time Rameses II 𓁩𓁛𓈘𓄟𓋴𓇓 was pharaoh 𓉐𓉻, the Sphinx 𓎛𓅱𓃭𓏤 at Giza was already ancient (~1200 years old) – which is almost mind blowing to think about!!! During the 18th Dynasty (the dynasty before Rameses II 𓁩𓁛𓈘𓄟𓋴𓇓) the cult of the Sphinx 𓎛𓅱𓃭𓏤 began to reach its peak in terms of religious importance.

During the first 𓏃 year of their reign 𓈎𓏏𓋾, the pharaoh 𓉐𓉻 would take a trip to the Sphinx 𓎛𓅱𓃭𓏤 as almost a right of passage. They would then build monuments 𓏠𓏍 to document the occasion. This relief is representative of that trip that Rameses II 𓁩𓁛𓈘𓄟𓋴𓇓 took!

The New Kingdom pharaohs 𓉐𓉻𓐆 knew the Sphinx 𓎛𓅱𓃭𓏤 as Hor-em-Akhet 𓅃𓐝𓈌 which translates to “Horus in the Horizon.” The name 𓂋𓈖 most likely came from the fact that the Sphinx’s 𓎛𓅱𓃭𓏤 head is seen in between Khufu 𓐍𓆑𓅱 and Khafre’s 𓇳𓈍𓆑 pyramids 𓍋𓅓𓂋𓉴𓏪, and can appear like the sun disc 𓇳 when approached from a certain direction. It’s definitely a creative name 𓂋𓈖!

Let’s read some simple hieroglyphs 𓊹𓌃𓏪! Here’s a breakdown of the name 𓂋𓈖 Horus in the Horizon 𓅃𓐝𓈌! Can you spot this on the relief?

𓅃 – Horus

𓐝 – em = in the

𓈌 – akhet = horizon

There are actually two 𓏻 different versions of this relief! If you look at the pictures above versus the pictures 𓏏𓅱𓏏𓏦 below, the reliefs are facing two 𓏻 different directions!

For a closer hieroglyphic study, we are going to be looking at the relief facing the left because I was able to get better pictures 𓏏𓅱𓏏𓏦 of the hieroglyphs 𓊹𓌃𓏪 on this one! Both reliefs are pretty much identical except for the direction that they face!

Let’s read some hieroglyphs 𓊹𓌃𓏪! We are going to look at the picture 𓏏𓅱𓏏 posted below. Some of the hieroglyphs 𓊹𓌃𓏪 are missing, but I was able to infer what was being written:

𓏙 – Given

𓋹 – Life

𓎟𓈍𓏥 – Lord of Appearances

𓇳𓁩𓄟𓋴𓋴𓌸 – Rameses II (Birth Name Variant) (this cartouche is too damaged for me to know which variant, so I made my best guess)

𓎟𓇿𓇿 – Lord of the Two Lands

𓇳𓄊𓁧𓇳𓍉𓈖 – Usermaatre (Rameses II throne name)

𓊹𓄤 – Perfect God

𓎸𓅓(𓏲𓅆)(𓀭) – Khnum (these hieroglyphs are cut off, but my best guess is this is the start of the name of the god Khnum)

Here’s the hieroglyphs 𓊹𓌃𓏪 translation for the picture 𓏏𓅱𓏏 posted below:

𓅃 – Horus

𓐝 – in the

𓈌 – Horizon

𓏙 – Given

𓋹 – Life

𓆑 – His

𓎟 – All

𓊽 – Stability

𓌀 – Strength

𓋴𓈖𓃀𓏜 – Health

𓄫𓄣𓏏 – Joy

𓎟 – All

𓇳𓏇 – Like Ra

𓇳𓎟 – Every day

This beautiful 𓄤 and unique relief is located at the Louvre in France!

Tags artifact, hieroglyph lessons, hieroglyphs, louvre, rameses ii

Reading Hieroglyphs

The “King’s Acquaintance”

Post author By ancientegyptblog7
Post date January 5, 2023

Let’s read some hieroglyphs 𓊹𓌃𓏪!

Today 𓏇𓇋𓈖𓇳 we are going to be looking at a Title that appears 𓈍 on statues 𓏏𓅱𓏏𓀾𓏪 and in funerary inscriptions 𓏟𓏛𓏥. The title of “𓇓𓂋𓐍𓏏 – King’s Acquaintance” is used to denote people who were close to the pharaoh 𓉐𓉻 and can be written in two ways:

𓇓𓂋𓐍𓏏 – if the person was female

𓇓𓏏𓂋𓐍 – if the person was male

In the case of this inscription 𓏟𓏛𓏥, which was for a female, King’s Acquaintance 𓇓𓂋𓐍𓏏 is written in the female form of the word! The Title has also been translated as “Gentlewoman,” and “Court Lady,” while the male version (𓇓𓏏𓂋𓐍) can also be translated as “Custodian of the King’s Property.”

Let’s take a closer look at the hieroglyphs 𓊹𓌃𓏪 that make up this title!

The “Sedge 𓇓” symbol is one of the most common hieroglyphs you will see in inscriptions! It functions as a biliteral phonogram and is associated with the sound “sw.” Most commonly, the symbol is used as an ideogram for the word “King,” which is associated with the sound “nswt.” In this case of this title, the sedge is functioning as an ideogram!

The “placenta or sieve 𓐍” symbol is a uniliteral phonogram and is associated with the sound “ḫ.” This symbol is actually considered “unclassified” because Egyptologists actually don’t know what it exactly represents!

The “mouth 𓂋” symbol functions most commonly as a uniliteral phonogram and is used to represent the sound “r.” It can also be used as an ideogram for the word “mouth 𓂋𓏺.”

The “flat loaf of bread 𓏏” is a uniliteral phonogram used to represent the sound “t.” It also functions as the ideogram for the word “bread 𓏏𓏺” and can be used to make words feminine when placed at the end of the word!

Tags hieroglyph lessons, hieroglyphs, the met

Egyptian Artifacts

The Board Game “Senet”

Post author By ancientegyptblog7
Post date January 3, 2023

If an object has Hatshepsut’s 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 name 𓂋𓈖 on it, I am going to get excited about it – no matter what the artifact is!

This piece is a type of ancient Egyptian board game called Senet 𓊃𓈖𓏏𓏠! Senet 𓊃𓈖𓏏𓏠 is the world’s oldest board game – there’s evidence of its existence all the way back to the First Dynasty (though this particular board is dated c. 1390-1353 B.C.E.).

During the New Kingdom, the game represented the journey of the Ka 𓂓 (soul) to the afterlife/Duat 𓇼𓄿𓏏𓉐. The word “Senet” 𓊃𓈖𓏏𓏠 actually means passage or gateway (though there are other ways to write these words as well)! If you look really closely, you can see details of the “Ankh 𓋹,” which is the symbol that means “Life” along with the “Djed Pillar 𓊽” which means “Stability” painted on the side of the game! On both the left and right sides, you can also see the word 𓋴𓈖𓃀 which means “Health!” Such lovely messages on the side of a board game!

Senet 𓊃𓈖𓏏𓏠 is still a game that can be played today, though some of the rules are debatable! I find it so interesting that board games have been around for so long in history! Some things an about humanity have not changed!

The version of Hatshepsut’s 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 name 𓂋𓈖 that appears on the side of the Senet 𓊃𓈖𓏏𓏠 board is her throne name, which is the name she took when she became pharaoh 𓉐𓉻! Her throne name is “Maatkare 𓇳𓁦𓂓” which translates to “Truth is the Soul of Re.”

Tags artifact, hatshepsut, louvre

Egyptian Artifacts

First Dynasty Lion Cub

Post author By ancientegyptblog7
Post date January 2, 2023

How cute is this lion 𓌳𓁹𓄿𓄛 cub?! Whenever I am at the MET, I always make sure to stop by and see him!

When I was a kid 𓐍𓇌𓀔, I absolutely loved this quartzite statue 𓄚𓈖𓏏𓏭𓀾 of a lion 𓌳𓁹𓄿𓄛 cub because it reminded me of Simba from The Lion King! Only the main features of the lion 𓌳𓁹𓄿𓄛 cub are seen, and none of the features are “sharply defined 𓋴𓊪𓂧𓏚𓏺𓏛,” however, it is clear that this is a statue 𓏏𓅱𓏏𓀾 of a lion 𓌳𓁹𓄿𓄛 and it is one of my favorite examples of early Egyptian art!

This cute little lion 𓌳𓁹𓄿𓄛 is from the First Dynasty (c. 3100–2900 B.C.E.)! During the Pre-Dynastic through Early Dynastic periods, statues 𓄚𓈖𓏏𓏭𓀾𓏪 of animals were usually smaller in size (amulet 𓊐𓊪𓅆 size or just a little larger – look above the lion 𓌳𓁹𓄿𓄛 statue 𓄚𓈖𓏏𓏭𓀾 in the picture 𓏏𓅱𓏏 to see examples) This statue 𓏏𓅱𓏏𓀾 thought is almost like a transition piece towards the larger and grander statues 𓄚𓈖𓏏𓏭𓀾𓏪 of the later dynasties. This little lion 𓌳𓁹𓄿𓄛 was originally found in southern 𓇔𓏏 Upper Egypt 𓇓. I love being able to see the changes in Egyptian art through time!

Geology Time!!! Since quartzite is a very hard stone 𓇋𓈖𓂋𓊪, the Egyptians had to learn how to work with and sculpt these types of rocks 𓇋𓈖𓂋𓈙𓏦! Quartz 𓏠𓈖𓏌𓈙, the mineral 𓇋𓌻𓂋𓅱𓈙 quartzite is mostly composed of has a hardness of 7 out of 10 on Moh’s Hardness Scale, which means it is very resistant to being scratched! Quartzite is a metamorphic rock, which means it was originally sandstone 𓂋𓅱𓂧𓏏𓌗𓈙 before it was subjected to intense heat and pressure, which recrystallized it into quartzite. Quartzite is a much stronger and durable rock 𓇋𓈖𓂋𓈙 than the original sandstone 𓂋𓅱𓂧𓏏𓌗𓈙.

Tags artifact, geology, the met

Reading Hieroglyphs

Stela of Aafenmut

Post author By ancientegyptblog7
Post date December 31, 2022

Today 𓏇𓇋𓈖𓇳 we are going to look at a wooden 𓆱𓏏𓏺 stela 𓎗𓅱𓆓𓉸 that is dated to the Third Intermediate Period (c. 924–889 B.C.E., 22nd Dynasty) which belonged to a man 𓊃𓀀𓏤 named Aafenmut 𓉻𓆑𓈖𓏏𓅐𓆇. This stela 𓎗𓅱𓆓𓉸 shows a typical funerary stela 𓎗𓅱𓆓𓉸 offering 𓊵𓏏𓊪𓏏𓏔𓏦 scene, and this style of stela 𓎗𓅱𓆓𓉸 was very popular during this time period. I love this particular style because it is so colorful! This stela 𓎗𓅱𓆓𓉸 is on display at the Metropolitan Museum of Art in NYC.

The Solar Barge 𓂧𓊪𓏏𓊞 is shown at the top of the stela 𓎗𓅱𓆓𓉸 and the Solar Barge 𓂧𓊪𓏏𓊞 represents Ra’s 𓇳𓏺𓁛 journey across the sky 𓊪𓏏𓇯. Ra’s 𓇳𓏺𓁛 journey is supposed to be representative of his birth/resurrection (sunrise), growth (day) and then death (sunset). In between Aafenmut 𓉻𓆑𓈖𓏏𓅐𓆇 and Ra-Horakhty 𓅊𓏔𓏔𓏤 is a table filled with offerings 𓊵𓏏𓊪𓏏𓏔𓏦 of bread 𓏏𓏐, fruit, and flowers 𓆼𓅱𓆰𓏦.

Let’s read some hieroglyphs 𓊹𓌃𓏪!

𓅊𓏔𓏔𓏤 – Ra-Horakhty

𓊹𓉼 – Great God

𓎟 – Lord

𓇯 – Sky/Heaven

𓂞 – Give

𓆑 – He

𓊵𓏏𓊪𓏏𓐍𓏛- Offerings

𓐝 – To

𓊩𓁹 – Osiris

𓐝 – To

𓏞 – Scribe

𓏺𓉐𓌉𓏺𓉐 – Treasury

𓉻𓆑𓈖𓏏𓅐𓆇 – Aafenmut

𓐙𓊤 – True of Voice (Justified)

So all 𓎟 together 𓈖𓊗, this inscription 𓎘𓅱𓎖 reads: “Ra-Horakhty, the Great God, Lord of the Sky/Heaven, may he give offerings to Osiris, to the scribe of the treasury, Aafenmut, True of Voice.”

Tags artifact, gods and goddesses, hieroglyph lessons, hieroglyphs, ra horakhty, stela, the met

Egyptian Artifacts Reading Hieroglyphs

Sphinx of Senwosret III (Part II)

Post author By ancientegyptblog7
Post date December 30, 2022
1 Comment on Sphinx of Senwosret III (Part II)

Here is a link to Part I!

The Horus Name is one of five 𓏾 ways to write the name 𓂋𓈖 of a pharaoh 𓉐𓉻, and it is the oldest way to do so. The purpose of the Horus Name was to identify the king 𓇓 as an earthly representation of the god 𓊹 Horus 𓅃𓀭.

The Horus Name consists of three elements: the palace facade 𓊁, Horus the Falcon 𓅃 standing on top of the palace 𓊁, and the name 𓂋𓈖 of the pharaoh 𓉐𓉻 within the palace 𓊁. The palace 𓊁 hieroglyph 𓊹𓌃 is pronounced like “serekh” and some Egyptologists are now referring to the Horus Name as the Serekh Name. This was basically the early version of the cartouche!

On the sphinx 𓎛𓅱𓃭 of Pharaoh 𓉐𓉻 Senwosret III 𓇳𓈍𓂓𓂓𓂓, you can see the Horus name, however, the throne name is also in the serekh! This is unusual to see both names 𓂋𓈖𓏦 in the serekh!

Let’s read some hieroglyphs 𓊹𓌃𓏪!

𓊹𓆣𓅱 – “Horus, Divine of Form” (Neter-kheperu) (Horus Name)

𓇳𓈍𓂓𓂓𓂓 – “The Souls of Ra have Appeared” (Kha kau ra) (Throne Name)

Something I love about this sphinx 𓎛𓅱𓃭, is that it is made out of gneiss, which is one of my favorite rocks 𓇋𓈖𓂋𓈙𓏦! Gneiss is a foliated metamorphic rock 𓇋𓈖𓂋𓈙 which means that it was subjected to such extreme heat and pressure during its formation (probably due to mountain 𓈋𓅳 building or plate tectonics), that the minerals 𓇋𓌻𓂋𓅱𓈙𓏦 have separated into bands of light (felsic) and dark (mafic) colored minerals 𓇋𓌻𓂋𓅱𓈙𓏦! This gives gneiss a natural zebra-like appearance!

Gebel el-Asr is the only quarry 𓎛𓏏𓏏𓉐 in Egypt 𓆎𓅓𓏏𓊖 where gneiss can be found, and gneiss was prized from the Predynastic to Middle Kingdoms for statue 𓏏𓅱𓏏𓀾 making!

The following pictures 𓏏𓅱𓏏 show a close up of one of my samples of gneiss, so you can see this banding!

Tags artifact, geology, hieroglyph lessons, hieroglyphs, senwosret iii, the met

Egyptian Artifacts

Sphinx of Senwosret III (Part I)

Post author By ancientegyptblog7
Post date December 29, 2022
1 Comment on Sphinx of Senwosret III (Part I)

Pharaohs 𓉐𓉻𓏦 were commonly represented as sphinxes 𓎛𓅱𓃭𓏦 in ancient Egyptian art for many reasons. A sphinx 𓎛𓅱𓃭 is a mythical creature that has the body of a lion 𓌳𓁹𓄿𓄛 and the head of a human. In ancient Egypt 𓆎𓅓𓏏𓊖, lions 𓌳𓁹𓄿𓄛𓏪 have been associated with kingship 𓇓𓇌 since prehistoric times due to their strength 𓌀 and ferocity. The sphinx 𓎛𓅱𓃭 was the perfect representation of the strength 𓌀 of the pharaoh 𓉐𓉻 due to its lion 𓌳𓁹𓄿𓄛 body, while the face still preserved the image 𓏏𓅱𓏏 of the king 𓇓 himself.

This magnificent sphinx 𓎛𓅱𓃭 is a representation of the 12th Dynasty Pharaoh 𓉐𓉻 Senwosret III 𓇳𓈍𓂓𓂓𓂓. Senwosret III 𓇳𓈍𓂓𓂓𓂓 has very distinctive facial features, so he is very easy to spot in Middle Kingdom art. Senwosret III 𓇳𓈍𓂓𓂓𓂓 is wearing the characteristic nemes head cloth 𓈖𓅓𓋴 and false beard 𓐍𓃀𓊃𓅱𓏏𓁸, which are both signs of kingship 𓇓𓇌.

While this is not a professional term, to me, Senwosret III 𓇳𓈍𓂓𓂓𓂓 looks like a “sad and tired old man,” which is how I distinguish him from statues 𓏏𓅱𓏏𓀾𓏪 of other pharaohs 𓉐𓉻𓏦. This depiction of a pharaoh demonstrates how in the Middle Kingdom, some of the art took a more realistic approach, instead of the typical idealistic approach. Usually, pharaohs 𓉐𓉻𓏦 and people were shown at their best, not how they actually looked. However, this sphinx 𓎛𓅱𓃭 shows a detachment from idealistic depictions.

This sphinx 𓎛𓅱𓃭 is in a crouching position, which to the Egyptians 𓆎𓏏𓀀𓁐𓏪 meant that it was a guardian of a sacred place, such as a temple 𓉟𓏏𓉐 or an important building. This is why rows or lines of sphinxes have been found at various temples 𓉟𓏏𓉐𓏪 around Egypt 𓆎𓅓𓏏𓊖 – the sphinx 𓎛𓅱𓃭, and therefore the pharaoh 𓉐𓉻, was using his strength 𓌀 and might to protect these sacred places!

Here is a link to Part II!

Tags artifact, senwosret iii, the met

Egyptian Artifacts

Ushabti and Miniature Coffin

Post author By ancientegyptblog7
Post date December 28, 2022

Today 𓏇𓇋𓈖𓇳, we are going to take a look at this unique ushabti 𓅱𓈙𓃀𓏏𓏭𓀾 that was discovered in the mortuary temple 𓉟𓏏𓉐 of the pyramid 𓍋𓅓𓂋𓉴 of the pharaoh 𓉐𓉻 Senwosret I 𓄊𓋴𓂋𓏏𓊃𓈖 (Dynasty 12). This was probably left as some type of offering 𓊵𓏏𓊪𓏏𓏔𓏦. The ushabti 𓅱𓈙𓃀𓏏𓏭𓀾 and coffin 𓋴𓅱𓎛𓏏𓆱 are made out of wood 𓆱𓏏𓏺 and are covered in gold 𓋞𓃉𓃉𓃉 leaf.

The ushabti 𓅱𓈙𓃀𓏏𓏭𓀾 and coffin 𓋴𓅱𓎛𓏏𓆱 contain the name 𓂋𓈖 of Wahneferhotep, who was probably the son 𓅭 of Senwosret I 𓄊𓋴𓂋𓏏𓊃𓈖 due to the title “King’s Son 𓇓𓅭” appearing in the hieroglyphs 𓊹𓌃𓏪. These two 𓏻 objects seen here are the only place where Wahneferhotep’s name 𓂋𓈖appears, so we know nothing about him!

What is so cool about the miniature coffin 𓋴𓅱𓎛𓏏𓆱 is that it is so detailed and similar to an actual coffin 𓋴𓅱𓎛𓏏𓆱! The text 𓏟𓏛𓏥 on the miniature coffin 𓋴𓅱𓎛𓏏𓆱 is inscribed with the same funerary spells as regular sized coffins would be! The eyes 𓁹𓏏𓏦 on this side of the coffin 𓋴𓅱𓎛𓏏𓆱 would allow the mummy 𓇋𓁹𓅱𓀾 (or in this case, the ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾) to see outside of it! The ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾 was even found covered with linen 𓍱 and laying on its side! This was very typical of Middle Kingdom burial practices 𓈎𓂋𓋴𓏏𓏏𓊭, and it was something my Nonno would always point out to me when we were in a museum!

The text 𓏟𓏛𓏥 on the ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾 is a version of the standard “Shabti Spell. This spell 𓎛𓂓𓏛 gives the ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾 the power to complete tasks (farming, manual labor, etc) for the deceased 𓅓𓏏𓏱 in the Field of Reeds 𓇏𓏏𓈅𓇋𓄿𓂋𓅱𓆰𓊖 so the deceased 𓅓𓏏𓏱 doesn’t have to do any work in the afterlife 𓇼𓄿𓏏𓉐.

Tags artifact, Senwosret I, shabti, the met, ushabti

Blog

Stela of Hatshepsut Replica

Post author By ancientegyptblog7
Post date December 28, 2022

This is a replica of the Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 Stela 𓎗𓅱𓆓𓉸 at the Musei Vaticani that my Nonno gave to me over fifteen years ago. I love this piece so much because the hieroglyphs 𓊹𓌃𓏪 on it are so accurate compared to the original stela 𓎗𓅱𓆓𓉸!

This is one of my most prized possessions because my Nonno have it to me. He brought this for me before we got to see the stela 𓎗𓅱𓆓𓉸 together, because he knew I would absolutely love it, and I do!

Let me know if you guys enjoy seeing my little collection of Egyptian replica pieces that my Nonno has given me!

Here is one of my posts about this beautiful 𓄤 stela 𓎗𓅱𓆓𓉸!

Tags blog, hatshepsut, nonno, vatican museum

Egyptian Artifacts

Sandstone Stela of Hatshepsut

Post author By ancientegyptblog7
Post date December 27, 2022
1 Comment on Sandstone Stela of Hatshepsut

I love this picture for two 𓏻 reasons: the first 𓏃 is because my Nonno took this picture 𓏏𓅱𓏏 of me with the Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 Stela 𓎗𓅱𓆓𓉸 at the Musei Vaticani! I almost feel that this picture 𓏏𓅱𓏏 represents how Nonno saw me, and I’ve never shared it until today 𓏇𓇋𓈖𓇳 because I wanted to keep it as “mine.” I wish I could go back to this moment because look at the happiness 𓄫𓄣 and joy 𓄫𓄣 on my face! The second 𓏌𓏻 reason is because this Stela 𓎗𓅱𓆓𓉸 of Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 is one of my absolute favorite Egyptian artifacts – it was a dream of mine to see this in person, and I’m so lucky I was able to!

I know I have posted about this stela 𓎗𓅱𓆓𓉸a lot, however, today 𓏇𓇋𓈖𓇳we are going to examine a different aspect of it! If you search “Hatshepsut” or “Vatican Museum,” you will be able to see my previous posts on this beautiful stela 𓎗𓅱𓆓𓉸!

This sandstone 𓂋𓅱𓂧𓏏𓌗𓈙 stela 𓎗𓅱𓆓𓉸 depicts Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 and Thutmosis III 𓇳𓏠𓆣 during their joint reign. Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 is wearing the blue (khepresh) crown 𓆣𓂋𓈙𓋙 and is making an offering of nemset jars 𓏌𓏌𓏌 to the god 𓊹 Amun-Ra 𓇋𓏠𓈖𓇳𓏺. Thutmosis III 𓇳𓏠𓆣 is wearing the White Crown 𓄤𓋑 of Upper Egypt 𓇓!

The stela 𓎗𓅱𓆓𓉸 was meant to commemorate restoration works in West Thebes 𓌀𓏏𓊖! Many pharaohs 𓉐𓉻𓏦 would restore the work of previous rulers 𓈎𓏏𓋾𓏪 to demonstrate their own power and to honor the gods 𓊹𓊹𓊹, not to honor the previous pharaohs 𓉐𓉻𓏦!

Another reason why restoring previous works and building lots of new buildings (which Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 did early in her reign 𓈎𓏏𓋾), was so significant was because it meant the name 𓂋𓈖 of the pharaoh 𓉐𓉻 (in this case, Hatshepsut) would live on since the names were part of the buildings’ inscriptions 𓏟𓏛𓏥. All of these new projects also impressed upon the common people the economic prosperity of the Hatshepsut’s 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 regime. This was important for her to demonstrate immediately because she was not only a female 𓊃𓏏𓂑𓏏𓁐 ruler 𓈎𓏏𓋾, but she kind of pushed Thutmosis III 𓇳𓏠𓆣 to the side and named herself the legitimate pharaoh 𓉐𓉻.

Tags artifact, hatshepsut, thutmosis iii, vatican museum

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