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Egyptian Artifacts

The Wilbour Plaque

Not only is the Wilbour Plaque one of my absolute favorite pieces, this is one of the most famous pieces of Amarna-era art! The Brooklyn Museum has an amazing collection of artifacts from Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule π“‹Ύπ“ˆŽπ“ and I’ll never forget the first time I got to see it with my Nonno!Β 

Wilbour Plaque
Me with the Wilbour Plaque at the Brooklyn Museum!

After Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ, Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is my second favorite pharaoh 𓉐𓉻 because of just how different his reign π“‹Ύπ“ˆŽπ“ was compared to the other pharaohs 𓉐𓉻π“₯ – not only did the art style completely change, but the religion changed too! 

The top piece in the display is known as the Wilbour Plaque, named after Charles Wilbour who acquired it in 1881. This limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ piece is interesting because it is complete as is it was; it was never part of a larger scene and was most likely used as a model for sculptors! Sculptor models were used by artists as references when they were making official art of the pharaoh 𓉐𓉻!Β 

The Wilbour Plaque (top) and another Sculptor’s Model (bottom) on display at the Brooklyn Museum!

While there aren’t any inscriptions π“Ÿπ“›π“₯, it is assumed that the people represented here are Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­. However, some argue that the person accompanying Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­ in the image 𓏏𓅱𓏏 could either be Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ or Smenkare π“‡³π“Šƒπ“‰»π“‚“π“‚¦π“†£. 

To me this piece is interesting because the Aten π“‡‹π“π“ˆ–π“‡³ is no where in sight! Usually Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is always accompanied by an image of the sun 𓇳𓏺/Aten π“‡‹π“π“ˆ–π“‡³ with sun rays shining on him. It’s almost kinda weird to see him like this! 

The second piece in the display is another sculptor’s model! This piece shows Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– with another member of the royal family, and a hand! 

This is my personal photograph and original text. DO NOT repost without permission.

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Reading Hieroglyphs Video

Happiness and Joy in Hieroglyphs – Video

𓄫𓏏𓄣 – β€œBe Happy, β€œHappiness,” β€œJoy,” – or in Middle Egyptian, β€œWide Heart.” 

@ancientegyptblog

𓄫𓏏𓄣 – β€œBe Happy, β€œHappiness,” β€œJoy,” – or in Middle Egyptian, β€œWide Heart.” I LOVE how the actual Middle Egyptian version of the word is β€œWide Heart 𓄫𓏏𓄣” – I think it carries so much meaning in such a little phrase. β€œAncient Egypt makes my heart wide” sounds cooler than β€œAncient Egypt brings me joy/happiness” – in my opinion at least! I always love seeing Happiness/Joy 𓄫𓏏𓄣 written on objects because that is exactly how I felt when I was in a museum and looking at Egyptian artifacts with my Nonno. The only emotion I could feel at the time was joy 𓄫𓏏𓄣 and I was so lucky. I would do anything to go to a museum with my Nonno and experience those emotions again. While I do feel immense joy 𓄫𓏏𓄣 in museums now, there’s always a sadness to it as well because I truly miss my Nonno more than anything. Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Here are some common variants for β€œHappiness,” and β€œJoy”: π“„«π“„£ 𓄫𓄣𓏏 𓄫𓏏𓄣𓏺 𓄫𓄣𓏺 This is my video and original text. DO NOT repost. #ancientEgypt #egyptianhistory #egyptianmythology #ancientegyptblog #hieroglyphs #letsreadsomehieroglyphs #hieroglyphics #metropolitanmuseumofart #metmuseum #anticoegitto #egyptology

♬ original sound – ancientegyptblog Nicole Lesar

I LOVE how the actual Middle Egyptian version of the word is β€œWide Heart 𓄫𓏏𓄣” – I think it carries so much meaning in such a little phrase. β€œAncient Egypt makes my heart wide” sounds cooler than β€œAncient Egypt brings me joy/happiness” – in my opinion at least!

I always love seeing Happiness/Joy 𓄫𓏏𓄣 written on objects because that is exactly how I felt when I was in a museum and looking at Egyptian artifacts with my Nonno. The only emotion I could feel at the time was joy 𓄫𓏏𓄣 and I was so lucky. I would do anything to go to a museum with my Nonno and experience those emotions again. While I do feel immense joy 𓄫𓏏𓄣 in museums now, there’s always a sadness to it as well because I truly miss my Nonno more than anything.

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Here are some common variants for β€œHappiness,” and β€œJoy”:

π“„«π“„£

𓄫𓄣𓏏

𓄫𓏏𓄣𓏺

𓄫𓄣𓏺

Happiness and Joy in Hieroglyphs
Here is a closeup of the word for Happiness and Joy in Hieroglyphs that I highlight in the video!

This is my video and original text. DO NOT repost without permission.

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Egyptian Artifacts

Talatat Blocks

These small π“ˆ–π“†“π“‹΄π“…© β€œTalatat” Blocks are made of limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ and were used solely during the reign π“‹Ύπ“ˆŽπ“ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–! These were used in the construction of the Aten π“‡‹π“π“ˆ–π“‡³ temple π“‰Ÿπ“π“‰ at Karnak (this construction started when he was still Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€) and the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–. Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– was the capital of Egypt π“†Žπ“…“π“π“Š– during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–.Β 

Talatat Blocks
Talatat Blocks from the palace at Akhetaten on display at the Brooklyn Museum.

These limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ Talatat blocks were unique because they were so small π“ˆ–π“†“π“‹΄π“…© a single worker could carry them and put it into place. This was meant to expedite construction and make building a lot faster. The Talatat are also unique because they were only used during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–, and were never used again.Β 

These Talatat at the Brooklyn Museum were once brightly painted in striking colors, as was most of the Egyptian monuments 𓏠𓏍. These specific blocks are from the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–, which is where Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ grew up! These blocks reconstruct a pastoral scene. 

However, the Talatat were not found at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–; instead these blocks were reused by the pharaoh 𓉐𓉻 Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“ to build a pylon at Magna. The Talatat that are now seen in museums all over have been found in other places because the blocks were reused when other pharaohs 𓉐𓉻π“₯ took the throne. They were also reused by Horemheb π“‡³π“‚¦π“†£π“Όπ“‡³π“‰π“ˆ–. The famous Hypostyle Hall at Karnak (started by Seti I π“Šͺπ“π“Ž›π“£π“‡Œπ“ŒΈπ“ˆ– and completed by Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“) is built with Talatat! 

Tens of thousands of Talata have been found across Egypt π“†Žπ“…“π“π“Š– and I’m sure that there are still many more to be found!Β 

This is my personal photograph and original text. DO NOT repost without permission.

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Reading Hieroglyphs

Stela of Semin

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at the funerary stela π“Ž—π“…±π“†“π“‰Έ of a bowman π“Œ”π“π“ΊΒ  named Semin! This limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ stela π“Ž—π“…±π“†“π“‰Έ depicts Semin holding a bow π“Œ”π“Ί in one hand and arrows in the other. This stela π“Ž—π“…±π“†“π“‰Έ has hieroglyphs π“ŠΉπ“Œƒπ“ͺ on the top and right sides.

This stela π“Ž—π“…±π“†“π“‰Έ is dated to the 11th Dynasty (First Intermediate Period c. 2120–2051 B.C.E.).Β 

Stela of Semin
The Stela of Semin at the Metropolitan Museum of Art

We are going to start reading the hieroglyphs π“ŠΉπ“Œƒπ“ͺ from the top left, and then continue reading down the column on the right. Below is the full inscription π“Ž˜π“…±π“Ž–:

Top: π“‰“π“†Όπ“π“Šπ“†Όπ“ƒΎπ“…Ώπ“±π“†Όπ“‹²π“π“†Όπ“π“π“Š΅π“ŽŸπ“π“„€π“†‘π“‚‹

Right: π“π“ƒ€π“ˆ–π“„ͺπ“π“…±π“π“‚‹π“ŠΉπ“‰Όπ“ŽŸπ“Šͺ𓏏𓇯 π“Šƒ_π“Šͺπ“€— π“‡‹π“ˆŽπ“‚‹π“›π“Š€π“…±

Let’s break it down:

𓉓 – A Voice Offering 

π“†Όπ“π“Š – A thousand bread and beer 

𓆼𓃾𓅿𓍱 – A thousand ox and fowl and alabaster

𓆼𓋲𓏏 – A thousand linen 

𓆼 – A thousand 

π“π“π“Š΅π“ŽŸπ“ – Everything 

𓄀𓆑𓂋 – Good 

𓏏𓃀 – Pure (β€œWab” is replaced by a weird symbol here – this is the more common one: 𓃂)

π“ˆ– – For

π“„ͺ𓐍𓅱 – Venerated One

𓐍𓂋 – Before

π“ŠΉπ“‰Ό – Great God

π“ŽŸ – Lord

π“Šͺ𓏏𓇯 – Heaven/Sky

π“Šƒ_π“Šͺπ“€— – Semin (I can’t read the second symbol)

π“‡‹π“ˆŽπ“‚‹π“›- Excellent

π“Š€π“…± – True of Voice

All π“ŽŸ together π“ˆ–π“Š—, the full translation is: β€œA Voice OfferingΒ  of a thousand bread and beer, a thousand ox and fowl and alabaster, a thousand linen, a thousand of everything good and pure for the venerated one before the great god, lord of heaven, Semin the excellent, true of voice.” 

It’s interesting that this stela π“Ž—π“…±π“†“π“‰Έ doesn’t start with the first part of the Offering Formula, “An Offering the King Gives… π“‡“π“π“Š΅π“™,” and it may be due to spacing issues, as there was not much space available for the hieroglyphs π“ŠΉπ“Œƒπ“ͺ on this stela π“Ž—π“…±π“†“π“‰Έ. The spacing issues are indicated by the arrangement of the hieroglyphs π“ŠΉπ“Œƒπ“ͺ.

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts Reading Hieroglyphs

Coffin Fragment of Isis

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

This is a coffin 𓅱𓇋𓀾 fragment (Late Period, Dynasties 26-31 c. 664-332 B.C.E.) that shows the goddess π“ŠΉπ“ Isis π“Š¨π“π“†‡π“†— in mourning. Since in Egyptian mythology Isis π“Š¨π“π“₯ assisted in the resurrection of Osiris π“Ήπ“Š¨π“€­, it was believed that she would be instrumental in the rebirth π“„Ÿπ“Ώπ“…± of the deceased 𓅓𓏏𓏱 which is why she was always seen on coffins 𓅱𓇋𓀾π“ͺ or the on the foot panel of sarcophagi π“ŽŸπ“‹Ήπ“ˆ–π“π“Š­π“¦.Β This coffin 𓅱𓇋𓀾π“ͺ fragment of Isis π“Š¨π“π“₯ is breathtaking in person!

Coffin Fragment of Isis
Me with the Coffin Fragment of Isis at the Brooklyn Museum

It’s usually easy to tell when Isis π“Š¨π“π“†‡π“†— is being depicted in Egyptian art because she is wearing the same hieroglyphic symbol on her head that appears in her name π“‚‹π“ˆ–, which is the throne symbol π“Š¨!! Isis π“Š¨π“π“†‡π“†— is shown wearing a white outfit, a broad collar π“…±π“‹΄π“π“ŽΊπ“‹ and two 𓏻 green 𓇅𓄿𓆓𓏛 bracelets 𓂝𓏠𓆑𓂋𓏏𓇛π“ͺ which seem to blend in to her green 𓇅𓄿𓆓𓏛 skin. The green 𓇅𓄿𓆓𓏛 skin symbolizes life π“‹Ή and rebirth π“„Ÿπ“Ώπ“…±.Β 

Coffin Fragment of Isis
Coffin Fragment of Isis

This is the inscription π“Ž˜π“…±π“Ž– in the right column: β€œπ“†“π“‡‹π“ˆ–π“Š¨π“π“†‡π“†—π“…¨π“‚‹π“ŠΉπ“…β€

π“†“π“‡‹π“ˆ– – Words Spoken By

π“Š¨π“π“†‡π“†— Isis (Isis is more commonly written like this β€œπ“Š¨π“π“₯β€œ or β€œ π“Š¨π“π“†‡π“₯”)

π“…¨π“‚‹ – the Great (greatness)

π“ŠΉ – God

𓅐 – Mother 

Put together π“ˆ–π“Š—, the inscription π“Ž˜π“…±π“Ž– reads: β€œWords spoken by Isis, the great God’s Mother…” The rest of the inscription π“Ž˜π“…±π“Ž– on this column is cut off. 

On the left column, the inscription π“Ž˜π“…±π“Ž– starts of with β€œπ“Ήπ“ˆ–β€ which translates to β€œborn of” and then it says the name π“‚‹π“ˆ–of a person which is hard for me to translate because I can’t tell what bird symbol is being used! The last part of the inscription π“Ž˜π“…±π“Ž– seems to say β€œtrue of voice π“™π“Š€,” but again it’s hard to tell because it’s cut off!

When I saw this piece I really liked it because of how colorful it was! No matter how many times I see artifacts in museums, I’m always shocked by how bright the colors still are on some objects! 

This is my personal photograph and original text. DO NOT repost without permission.Β 

Categories
Reading Hieroglyphs

The Offering Formula

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at one of the most common phrases you will encounter – The Offering Formula! The Offering Formula is found on all different types of funerary objects π“ˆŽπ“‚‹π“‹΄π“π“π“Š­ such as stelae π“Ž—π“…±π“†“π“‰Έπ“ͺ, sarcophagi π“ŽŸπ“‹Ήπ“ˆ–π“π“Š­π“¦, statues 𓏏𓅱𓏏𓀾π“ͺ, and false doors.

The purpose of the Offering Formula was to allow the deceased 𓅓𓏏𓏱 to partake in and accept offerings π“Š΅π“π“Šͺ𓏏𓏔𓏦. These offerings could be either the deceased 𓅓𓏏𓏱 making an offering to a god π“ŠΉ (usually Osiris π“Ήπ“Š¨π“€­ or Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣) or the deceased 𓅓𓏏𓏱 accepting offerings π“Š΅π“π“Šͺ𓏏𓏔𓏦 directly from family members.Β 

The Offering Formula
The opening phrase of the Offering Formula, “An Offering the King Gives…” in hieroglyphs on a Middle Kingdom sarcophagus at the MET.

Here is the beginning phrase of the Offering Formula: π“‡“π“π“Š΅π“™. This translates to β€œAn Offering the King Gives…”

𓇓 – King 

π“π“Š΅ – Offering (shortened version of π“Š΅π“π“Šͺ𓏏𓏔𓏦)

𓏙 – Gives

Let’s break down each of the hieroglyphic symbols! 

The β€œSedge 𓇓” symbol functions as a biliteral phonogram and is associated with the sound β€œsw.” Most commonly, the symbol is used as an ideogram for the word β€œKing,” which is associated with the sound β€œnswt.”

The β€œflat loaf of bread 𓏏” is a uniliteral phonogram used to represent the sound β€œt.” It also functions as the ideogram for the word β€œbread 𓏏𓏺” and can be used to make words feminine when placed at the end of the word! 

The β€œbread loaf on a mat π“Š΅β€ symbol is a triliteral phonogram for the sound β€œαΈ₯tp” and is also an ideogram for β€œoffering slab” which is also associated with the sound β€œαΈ₯tp.”

The β€œbread mold 𓏙” symbol is functions as a phonogram for β€œd” or β€œαΈj” and also as β€œrdj” in the word for β€œgive.” 

This is my personal photograph and original text. DO NOT repost without permission. 

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Egyptian Artifacts

Flowers in Ancient Egypt

When we envision Egypt π“†Žπ“…“π“π“Š–, we usually think of an arid desert π“…Ÿπ“‚‹π“π“ˆŠ environment. While Egypt π“†Žπ“…“π“π“Š– is certainly a desert, it did have its own beautiful 𓄀𓆑𓂋 plants 𓆾𓆰𓆰𓆰 and flowers that were definitely appreciated by the ancient Egyptians π“†Žπ“π“€€π“π“ͺ!Β 

Plants 𓆾𓆰𓆰𓆰 were used for food 𓇬𓀁𓅱𓏔π“₯ and medicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦, so they were vital in that respect. Plants 𓆾𓆰𓆰𓆰 were considered to be so important that Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ actually sent out an expedition of people to go and look for new plants 𓆾𓆰𓆰𓆰 that could be used for food 𓇬𓀁𓅱𓏔π“₯ or medicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦! The word for β€œmedicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦β€ in Middle Egyptian even has one of the plant hieroglyphs π“ŠΉπ“Œƒπ“ͺ in it! 

Speaking of hieroglyphs π“ŠΉπ“Œƒπ“ͺ, there is an entire section of Gardiner’s Sign List dedicated to all of the plant symbols! There are 44 hieroglyphs π“ŠΉπ“Œƒπ“ͺ that represent plants 𓆾𓆰𓆰𓆰! For example, the phonogram/ideogram for the Nile Valley/Upper Egypt is 𓇗 – which represents a flowering plant.

Flowers in Ancient Egypt
Different fragments from Amarna that show different flowers in ancient Egypt (Brooklyn Museum)

Here are some beautifully π“„€ colored pieces of art that represent different plants 𓆾𓆰𓆰𓆰! On the bottom left is a lotus flower 𓆸 and some grapes, the top right is a palm tree, and the bottom right is a small plaque or tile of some kind with daisies/rosettes! 

I love how bright the green 𓇅𓄿𓆓𓏛 and yellow colors are! I will never stop being amazed that all of these beautiful pieces are still so vibrant after thousands of years!

These pieces are at the Brooklyn Museum and are dated to the Amarna Period (Dynasty 18).Β The Amarna Period is another phrase that Egyptologists and historians use to mark the reign π“‹Ύπ“ˆŽπ“ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–.

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts

Amphora with an Ibex Head

This amphora π“ π“ˆ–π“‡‹π“‹ with an ibex π“ˆ–π“„«π“ƒ΅ head is so beautiful 𓄀𓆑𓂋! An amphora π“ π“ˆ–π“‡‹π“‹ is a special type of pottery π“ π“ˆ–π“‡‹π“‹ that has a pointed bottom and two 𓏻 handles that was used for the storage and transport of various things in the ancient world! While Greek amphoras π“ π“ˆ–π“‡‹π“‹π“ͺ are the most recognizable, the ancient Egyptians π“†Žπ“π“€€π“π“ͺ had their own style too!

Amphora with an Ibex Head
Amphora with an Ibex Head at the MET

Ancient Egyptian amphoras π“ π“ˆ–π“‡‹π“‹π“ͺ, such as this one found at Malqata, were usually made of red π“‚§π“ˆ™π“‚‹π“…Ÿ clay π“Šͺπ“ˆ–π“‹΄π“ˆ‡ and then covered with a cream colored coat. They were then painted π“žπ“œ with blue 𓇋𓁹𓏏𓄿𓏸π“₯, red π“‚§π“ˆ™π“‚‹π“…Ÿ, or black π“†Žπ“…“ paint 𓇨𓂋𓅱𓏭𓏸𓏦. This vase π“ π“ˆ–π“‡‹π“‹ has some pretty 𓄀𓆑𓂋 lotus flowers 𓆸𓆸𓆸 and other types of flowers 𓆼𓅱𓆰𓏦 painted π“žπ“œ on it!!

Amphora with an Ibex Head
A closeup of the Ibex head on the amphora at the MET

The best part about this vase π“ π“ˆ–π“‡‹π“‹ in my opinion is the ibex π“ˆ–π“„«π“ƒ΅ head that is on it! The ibex π“ˆ–π“„«π“ƒ΅ head was not actually found attached to the amphora π“ π“ˆ–π“‡‹π“‹, but it was found nearby and reattached. You can actually see where it was reattached by the line going across its neck! Also, take a look at how the head of the ibex π“ˆ–π“„«π“ƒ΅ is in relation to the body of the animal – the head has a 3D effect which is just too cool! The body of the ibex π“ˆ–π“„«π“ƒ΅ is painted on the vase π“ π“ˆ–π“‡‹π“‹, while the head/neck of the ibex π“ˆ–π“„«π“ƒ΅ kind of β€œjump off” the vase π“ π“ˆ–π“‡‹π“‹! So creative!

While historians will refer to this type of pottery as an β€œamphora,” in Middle Egyptian, the standard word β€œmni π“ π“ˆ–π“‡‹π“‹β€ was used which basically just means pot or pottery! 

This piece is dated to the reign of Amenhotep III π“‡³π“§π“Ž  (18th Dynasty) and was found at his palace π“‚π“Ž›π“π“‰₯𓉐 in Malqata. 

This is my personal photograph and original text. DO NOT repost without permission. 

Categories
Reading Hieroglyphs Video

Cartouches of Montuhotep II – Video

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Today we are going to learn about the Cartouches of Montuhotep II!

@ancientegyptblog

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Today we are going to learn about the Cartouches of Montuhotep II! In the hieroglyphs π“ŠΉπ“Œƒπ“ͺ, you can see Montuhotep II’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ birth name and throne name (both with titles). π“†₯(π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ) – King of Upper and Lower Egypt, Montuhotep II (Birth Name) 𓅭𓇳(π“‡³π“Š€π“ŽŸ) – Son of Ra, Nebhapetra (Throne Name) Let’s look even closer at the individual glyphs! 𓇳 – Ra π“ŽŸ – β€œNeb” (nb) π“Š€ – β€œHapet” (αΈ«rw or αΈ₯jpt) Montuhotep π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ is his birth name/given name π“‚‹π“ˆ–! Let’s look even closer at the individual glyphs! π“ π“ˆ–π“Ώπ“…± – Montu (𓏠 – mn) (π“ˆ– – n) (𓍿- t) (π“…± – u/w) π“Š΅π“π“Šͺ – Hotep (π“Š΅ – htp) (𓏏 – t) (π“Šͺ – p) This raised relief is originally from Montuhotep II’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ mortuary temple at Deir el-Bahri. This relief was part of one of the main areas of the temple π“‰Ÿπ“π“‰ that was added at the end of Montuhotep’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ reign π“‹Ύ. This dates the relief to c. 2010–2000 B.C.E. (Middle Kingdom, Dynasty 11). This is my personal video and original text. DO NOT repost without permission. #ancientEgypt #egyptianhistory #egyptianmythology #ancientegyptblog #hieroglyphs #letsreadsomehieroglyphs #hieroglyphics #metropolitanmuseumofart #metmuseum #anticoegitto

♬ original sound – ancientegyptblog Nicole Lesar

In the hieroglyphs π“ŠΉπ“Œƒπ“ͺ, you can see Montuhotep II’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ birth name and throne name (both with titles). 

π“†₯(π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ) – King of Upper and Lower Egypt, Montuhotep II (Birth Name)

𓅭𓇳(π“‡³π“Š€π“ŽŸ) – Son of Ra, Nebhapetra (Throne Name)

Let’s look even closer at the individual glyphs!

Cartouches of Montuhotep II
The Throne Name cartouche of the pharaoh Montuhotep II

𓇳 – Ra

π“ŽŸ – β€œNeb” (nb)

π“Š€ – β€œHapet” (αΈ«rw or αΈ₯jpt)

Cartouches of Montuhotep II
The Birth Name cartouche of the pharaoh Montuhotep II

Montuhotep π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ is his birth name/given name π“‚‹π“ˆ–! 

Let’s look even closer at the individual glyphs!

π“ π“ˆ–π“Ώπ“…± – Montu (𓏠 – mn) (π“ˆ– – n) (𓍿- t) (π“…± – u/w)

π“Š΅π“π“Šͺ – Hotep (π“Š΅ – htp) (𓏏 – t) (π“Šͺ – p) 

This raised relief is originally from Montuhotep II’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ mortuary temple at Deir el-Bahri. This relief was part of one of the main areas of the temple π“‰Ÿπ“π“‰ that was added at the end of Montuhotep’s π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ reign π“‹Ύ. This dates the relief to c. 2010–2000 B.C.E. (Middle Kingdom, Dynasty 11).

Cartouches of Montuhotep II
Relief of Montuhotep II at the MET. Can you see the Cartouches of Montuhotep II on the full relief?

This is my personal video, photographs, and original text. DO NOT repost without permission.

Categories
Egyptian Artifacts

Hounds and Jackals Game

The ancient Egyptians loved playing games π“‡‹π“²π“π“Š‘π“„›π“¦, and many of examples of ancient games π“‡‹π“²π“π“Š‘π“„›π“¦Β  such as senet π“Šƒπ“π“ˆ–π“  and Mehen π“Ž”π“ˆ–π“†“/π“Ž”π“ˆ–π“†— exist both as actual artifacts and as depictions in art!

Hounds and Jackals Game
The Hounds and Jackals Game was named after the Hounds and Jackals that appear on the top of the pegs! This is the most complete version of the game that’s ever been found!

The game π“‡‹π“²π“π“Š‘π“„›π“¦ in this picture 𓏏𓅱𓏏 is one that was named β€œHounds and Jackals” by Howard Carter! Carter named the game after the hounds π“Ώπ“Šƒπ“…“π“„›π“ͺ and the jackals π“Šƒπ“„Ώπ“ƒ€π“ƒ₯𓏦 that are at the tops of the pegs. This particular piece is the only game of β€œHounds and Jackals” that has been found with the pegs! The game has also been referred to as β€œ59 Holes” due to the holes that are on each side of the palm tree!Β 

No one knows the rules to this game, but it is thought to be symbolic of the deceased’s 𓅓𓏏𓏱 journey to the afterlife 𓇼𓄿𓏏𓉐 and that the hounds π“Ώπ“Šƒπ“…“π“„›π“ͺ and the jackals π“Šƒπ“„Ώπ“ƒ€π“ƒ₯𓏦 were used as pieces because they could be related to Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣, the god π“ŠΉ of mummification π“‹΄π“‚§π“π“…±π“Ž and protection π“…“π“‚π“Ž‘π“€œ of the deceased 𓅓𓏏𓏱. Other less-complete versions of this game have been found in other tombs π“‡‹π“«π“Šƒπ“‰π“¦. 

Unlike senet π“Šƒπ“π“ˆ–π“  and Mehen π“Ž”π“ˆ–π“†“/π“Ž”π“ˆ–π“†—, games π“‡‹π“²π“π“Š‘π“„›π“¦ which seem to have persisted throughout Egyptian history, β€œHounds and Jackals” seems to be a Middle Kingdom exclusive! This piece is made of the wood 𓆱𓏏𓏺 from a sycamore tree π“ˆ–π“‰”π“π“†­ and ivory π“‹π“ƒ€π“…±π“ŒŸ. 

This piece was discovered in 1910 by Howard Carter and Lord Carnarvon – I find this to be so cool because this was about twelve years before they discovered the tomb of Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“! This piece is dated to the Middle Kingdom, reign π“‹Ύπ“ˆŽπ“ of Amenemhat IV π“‡³π“ŒΆπ“‚π“Š€π“…± (12th Dynasty). 

This is my personal photograph and original text. DO NOT repost without permission.